When learning is designed to connect, understanding follows — for every student, in every classroom.

Our Mission

To design connected, core ELA curriculum that helps teachers build understanding for every student.

Our Vision

A future where every classroom comes alive, teachers lead with confidence, and every student has the opportunity to build understanding, find their voice, and discover the power of their own ideas.

Twenty-five years of designing learning differently.

Inquiry by Design was founded by educators who saw a problem in ELA classrooms that no existing curriculum was solving: learning was becoming increasingly fragmented, and the burden for cohesion was landing on teachers. We knew this was a curriculum design failure. And it wasn’t fair to teachers or students.



So we set out to build something different — a curriculum designed from the start so that connection, coherence, and understanding weren’t afterthoughts or add-ons. They were the foundation.

Twenty-five years later, that founding idea has become a proven approach, reaching nearly 500,000 students across 50+ district partners from coast to coast. The education industry hasn’t caught up. We still hear from teachers and administrators alike that disconnected learning programs are the norm, and getting worse. That’s why we’re here: not just to offer a cohesive curriculum, but to keep pushing this conversation forward. 


  1. Black-and-white line drawing showing a needle pulling black thread through fabric, suggesting the process of sewing by hand.

    1990s

    Black-and-white line drawing showing a needle pulling black thread through fabric, suggesting the process of sewing by hand.

    The first thread

    An eager PhD student, who was previously a Middle School ELA teacher, began working with Literacy expert Sally Hampton. They uncovered a challenge in current ELA curriculum: English teachers teaching future English teachers instead of helping students develop confidence in their ability to read and think critically. The seed of a new possibility is planted.

  2. Black abstract tribal-style symbol with three vertical, curved lines intersected by two shorter, upward-curving lines at the base, all set against a light background.

    2000s

    Black abstract tribal-style symbol with three vertical, curved lines intersected by two shorter, upward-curving lines at the base, all set against a light background.

    Adhering threads together

    A contract with one North Carolina high school becomes the starting point to test a new pedagogical approach. Working until 3am in a garage office, every written word written with precision and purpose, threading together a vision of what Language Arts education could become.

  3. Four black brush strokes intersect to form an abstract shape on a light background. Two vertical lines cross two diagonal lines from upper left to lower right and upper right to lower left.

    2010s

    Four black brush strokes intersect to form an abstract shape on a light background. Two vertical lines cross two diagonal lines from upper left to lower right and upper right to lower left.

    Weaving the foundation

    Our Founder, a prior Middle School ELA teacher, creates 15,000+ pages of curriculum, builds a team of former educators, and develops the signature “conversation method” that underpins our pedagogical focus. Staying mission-focused over profit-driven, the team slowly and steadily increases recognition in the states of Oregon, Washington and California.

  4. A simple black grid with four vertical and four horizontal thick lines, each ending in pointed tips, intersecting to form a grid pattern on a light background.

    2020-2025

    A simple black grid with four vertical and four horizontal thick lines, each ending in pointed tips, intersecting to form a grid pattern on a light background.

    Expanding the pattern

    Inquiry by Design grows from under 10 partnerships to over 40, reaching nearly half a million students with district partners from coast to coast. Our unique pedagogical approach proves scalable without losing its authentic core.

    District partners request needs for a Spanish Language Arts program and IBD delivers.

    The pattern is complete, but every master weaver knows the best designs inspire new possibilities.

  5. Simple black icon of five curved blades of grass, arranged in a fan shape against a light background.

    Tomorrow

    Simple black icon of five curved blades of grass, arranged in a fan shape against a light background.

    What’s next: the pattern evolves

    Twenty years of authentic learning experiences have taught us what works and what’s possible when you refuse to settle for quick fixes or trendy solutions. Our newest design takes everything we know about meaningful curriculum and weaves it into our most powerful work yet: the complete weave of authentic inquiry and enduring knowledge.

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The people behind the work.

Teachers, writers, publishers, and curriculum designers who haven’t forgotten what it feels like to be in the classroom

A man smiles at sunset on a balcony overlooking the sea, with boats and islands in the background. The sky is colorful, and city lights are visible along the coastline.

Nick Resnick

Chief Executive Officer

My first job out of college, teaching in Oakland, quickly illuminated how a quality education sets children up for a life of choice and opportunity. With no curriculum, students were at the mercy of teachers with little expertise in design or standards alignment. Later, at districts like Long Beach Unified, I saw how a guaranteed viable curriculum across classrooms and grades drove equity and access for all students. These experiences fuel my passion to ensure all students have access to an excellent curriculum, no matter their zip code, school, or teacher.

A woman stands smiling next to a mannequin dressed in a gown and hat covered entirely with bright yellow sunflowers, displayed inside a store with various products on the shelves.

Tammy Baumann

Chief Product Officer

For me, creativity is a form of practical problem-solving. While I love traditional art forms, my personal artistic self comes out when I’m given a big objective and set loose to design the setting and the process for creation. I thrive on those initial parameters—the resources, the vision, the timeline—because they give me the framework to start building. I’m energized by the detective work of hunting for solutions, the flow of seeing a process click into place, and the ultimate satisfaction of bringing a great curriculum product to life.

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Karee Galloway

Director of Publishing Operations

I’ve always considered myself a reader and a writer, but for most of my life I thought of these as solitary pursuits. School reinforced that idea again and again. Reading was something you did quietly with a book, and writing was something you produced alone and then handed in for a grade. It wasn’t until I came to Inquiry By Design that I began to understand that the true power of reading and writing lay in social and collaborative practices that open conversation, build community, and deepen understanding.

A person stands on a subway platform beneath a sign that reads Avenue, holding a coffee cup and looking ahead. The platform is empty, and the background shows subway tracks and station lights.

Dean Guzman

Director of Sales

If I could give my younger self advice about learning, it would be to read stories from different genres, authors, and lived experiences. Reading Jhumpa Lahiri’s The Namesake completely changed my perspective on reading, learning, and empathy. It was the first time I saw myself reflected in a character’s struggles, and it ignited my passion to seek out stories I could relate to and those that offered a window to learn about other people’s lives and passions. It was the first book that made me audibly gasp in public (in a quiet library!).

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Cara Zatoris

Senior Manager of Curriculum

In high school, an English teacher made me feel genuinely seen and valued, which was such a comfort during a time when I felt a bit lost and misunderstood. That experience lit a fire in me, leading me from teaching to supporting other teachers, and now to creating something I hope will make their lives enormously easier. I believe students deserve instructional materials that help them feel the same sense of connection and possibility I once felt, and I’m grateful every day to play a part in making that happen.

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Genya Devoe

Director of Curriculum & Instruction

Books have always been door-openers for me, and I want students to feel that same rush of possibility when a story speaks to them. One of my favorite things is when a student says, “I never thought of it that way before.” Watching them connect their own experiences to a story keeps me passionate about this work.

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Sophia Reichert

Language Arts Curriculum Specialist

Reading and writing have always helped me make sense of the world, and that love led me to the classroom. While teaching, I witnessed firsthand how powerful it is when students see themselves in the texts they read and have the tools to tell their own stories. As a curriculum writer, I work to bring those experiences to more classrooms.

A person wearing a red Chicago Bulls beanie and scarf smiles outdoors at night, with festive string lights and a tall building in the background.

Gwendolyn Olvera

ELA/SLA Content Specialist

As a literacy and language teacher, my proudest accomplishment has been getting students to understand the value of reading and writing, not just in the classroom, but beyond. My students learned the importance of clear communication, and the doors it would open for them. Whether in their studies, their personal lives, or in the professional realm, students learned that reading and writing are the key to making the world a more just and equitable place, for themselves and others.

A person with glasses and a beard walks on a gravel lot, smiling. They wear a blue shirt that reads I stand for education justice. Buildings and a fence are in the background.

Matt Homrich-Knieling

Content and Marketing Specialist

As a teenager navigating questions of identity and belonging, I found support in three sources: my English teacher, my school librarian, and books. Those experiences inspired me to become a teacher myself—to help young people see themselves in stories, to offer guidance through times of transition, and to create a classroom where everyone feels they belong. More than a decade later, those same goals continue to ground my work in education.

A woman with glasses smiles while standing on a sandy beach, wearing a black top and striped shorts. There are waves, people, and green hills in the background under a cloudy sky.

Katherine Huete Galeano

Content and Instructional Specialist

I came to the U.S. as a newcomer student, learning English while trying to keep up in a system that often felt unfamiliar and overwhelming. I remember understanding far more than I could express and feeling frustrated when I could not fully share my thinking, and at times being misunderstood because of it. Those experiences shaped how I see teaching and learning and led me to become a bilingual educator. They are also why I find so much joy in the work I do today, making learning more accessible for all students. Outside of my work, I love spending time in nature, which reminds me to slow down, stay curious, and keep learning.